KRABBESHOLM HØJSKOLE
ART LITERATURE ARCHITECTURE DESIGN GRAPHIC DESIGN
KRABBESHOLM ALLÉ 15
DK 7800 SKIVE
(+45) 9752 0227
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FOUR BOXES
> SKIVE 2016, 2020, 2060
> GITTE LĂG┼RD: SCULPTURAL COLLAGES
> R E FORM
> PETTERSEN & HEIN: VIBRANT MATTER
> PETER BACH NICOLAISEN: THAT WHICH PASSES
> YOUNG DANISH PHOTOGRAPHY
> ANNA FRO VODDER: GROWING THINGS
> SPINNING BALL OF DOOM
> THE MOST BEAUTIFUL SWISS BOOKS
> JONATHAN VAN DYKE: KRISEN OG EN KRISE I EN SKUESPILLERINDES LIV
> TREDIVE TRĂPLADER
> JAKOB EMDAL: BEAUTY CONSISTS OF BEING ABLE TO SEE FAR
> MILJOHN RUPERTO
> FORGOTTEN DESIGN PROBLEMS IN SHOWBIZ
> NEW NORDIC ARCHITECTURE
> A / L / O: RECESSION AESTHETICS
> MICHAEL STICKROD
> JULIE BORN SCHWARTZ
> PHIL THOMPSON: TEXTURES
> KURT FINSTEN: PAINTINGS PAINTINGS
> LLOYD CORPORATION: AN IDEA ONCE BUT NO LONGER FULFILLING
> NEVER EXPRESS YOURSELF MORE CLEARLY THAN YOU ARE ABLE TO THINK
> KEN CONSUMER: 640 IS MORE THAN ENOUGH
> GUNMAD
> PURNING TOINTS
> SESSION_12_WORDS + UNTITLED
> DAN GRAHAM: WORKS BETWEEN ART AND ARCHITECTURE FROM NEW YORK TO DENMARK
> MATT CONNORS
> THE DY(E)ING LIGHT OR THE CASE OF A SLEEPING BEAUTY
> MICHEL AUDER: DINNER IS SERVED
> VLADIMIR TOMIC: A WORKS
> MARIANNE HURUM, ARE MOKKELBOST: SPLITTET KJERNE
> OPENING EXHIBITION: COLLECTIVE SPIRITS
slideshow
35 pics

 

Michel Auder: ”Dinner is Served”
FOUR BOXES GALLERY
27TH OF FEBRUARY – 14TH OF MARCH 2010
OPENING SATURDAY 27TH OF FEBRUARY AT 8 PM

 

Krabbesholm is delighted to host Michel Auder's first solo exhibition in Denmark at our new exhibition space Four Boxes Gallery. The exhibition will display new video and photo works by the artist, along with some of Auder's earlier works never before exhibited in Denmark.

 

Michel Auder, whose art practice spans over 40 years, was one of the first artists to use video as an artistic medium.

 

In Auder's work, the camera both witnesses and directs social exchange. It describes a highly subjective position, moving about his environment, recording its soundtrack, admitting incidental drama, autobiographical detail, and the real-time incursions of broadcast media. In the early 1970s, Auder adopted a continuous approach to filmmaking -- constant documentation of the people and scenarios he encountered. As a result, he amassed an extensive archive of video footage, which he uses and reuses in his works. His films collide with narratives in art history and popular memory, and involve artists, writers, and musicians whom he has met over the years.

 

In conjunction with the exhibition, Krabbesholm will publish a book edited by the exhibition's curator artist Michael Stickrod. The book will include texts by English writer/curator Michelle Cotton, French filmmaker Brigitte Cornand, and US artist Justin Liberman.

 

This is the beginning of a new series of Krabbesholm books, which will differ in format from those in the previous series. An abstract of the book will be available online for a short period of time starting February 25, 2010.

 

Michel Auder will attend the opening, where he will discuss his work and thoughts about this exhibition.

 

> Download abstract of Michel Auder: I Had Another Bird to Feed (pdf)